A Window into Grace’s Musical World

Welcome to a curated collection of moments that matter most to Grace—ranging from quiet practice clips to sweeping classical interpretations, sacred expressions, and joyful celebrations.

Here you’ll find glimpses into her world: classical pieces that stir the soul, hymns that speak to the heart, and worship songs that lift the spirit. Every video shares a piece of the story she’s still composing—one note at a time.

Thank you for listening.

Grace in Performance

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  • • 5/9/25

    [Excerpt] Schubert: Impromptu, op. 90 no. 2

    🎥 Watch full recording:

    https://youtu.be/qRdz51U2OMg?si=oXLM2Pq3IEhXDMqV

    Composer: Franz Schubert | Era: Early Romantic
    Bridging Classical clarity and Romantic lyricism, Schubert’s music sings with heartfelt expression. His well-loved Impromptus, composed in 1827—just one year before his death—reveal both technical brilliance, emotional depth, and flow with grace and vitality. One of the finest examples of early Romantic piano literature, this piece is a flowing masterpiece of arpeggios, gentle phrasing, and poetic intimacy. Its rippling arpeggios and lyrical inner voice give it a singing quality, almost like a duet between the hands. Grace’s touch brings a vocal quality to the lines, evoking Schubert’s love for song.

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    • 5/9/25

    [Excerpt] Chopin: Nouvelles Études

    🎥 Watch full recording:

    https://youtu.be/jHReHtZOj5M?si=oZYLahB7atIHFnVU

    Composer: Frédéric Chopin | Era: Romantic

    Composed in 1839 for a piano method book, this lesser-known étude by beloved Romantic-era composer Frédéric Chopin, sparkles with charm and clarity. This short gem, one among a short series of Nouvelles Études, still reflects Chopin’s unmistakable style—elegant, expressive, and technically refined. The Romantic period elevated personal expression and virtuosic beauty. Chopin, a master of the piano, wrote his études as both technical studies and musical poems as evidenced in this exquisite piece, which bears the hallmarks of his style—graceful lines, expressive rubato, and refined sensitivity. Grace’s phrasing captures the étude’s charm and intimacy with youthful fluidity.

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    • 5/9/25

    [Excerpt] Leaf: Prairie Fantasie

“It is good to give thanks to the Lord, to sing praises to Your name, O Most High.” —Psalm 92:1 (ESV)