
A Window into Grace’s Musical World
Welcome to a curated collection of moments that matter most to Grace—ranging from quiet practice clips to sweeping classical interpretations, sacred expressions, and joyful celebrations.
Here you’ll find glimpses into her world: classical pieces that stir the soul, hymns that speak to the heart, and worship songs that lift the spirit. Every video shares a piece of the story she’s still composing—one note at a time.
Thank you for listening.
Grace in Performance
Composer: Johann Sebastian Bach | Era: Baroque
This expressive prelude from The Well-Tempered Clavier, Book I highlights Bach’s signature counterpoint and harmonic depth. Composed during the Baroque era, it balances order and emotional complexity within its elegant structure. Grace approaches this piece with clarity and poise, allowing each voice to sing while shaping the underlying intensity with delicate control and thoughtful phrasing.
Prelude VI, BWV 851
Composer: Leoš Janáček | Era: Late Romantic & Early 20th-Century
Written in 1912, this introspective four-movement suite reflects Janáček’s personal struggles and the fleeting nature of memory. The music’s misty texture and harmonic ambiguity make it one of the most intimate works of the early 20th century. Grace brings sensitivity to her interpretation of two of the four movements, Andate & Andantino, exploring the tension between fragility and strength while honoring the deeply emotional undercurrent of the music.
In The Mists, Andante & Andantino
Composer: Franz Schubert | Era: Early Romantic
Bridging Classical clarity and Romantic lyricism, Schubert’s music sings with heartfelt expression. His Impromptus, composed in the final year of his life, reveal both technical brilliance and emotional depth. This piece is a flowing masterpiece of arpeggios, gentle phrasing, and poetic intimacy. Grace’s touch brings a vocal quality to the lines, evoking Schubert’s love for song.
Impromptu, op. 90 no. 2
Composer: Mary Leaf | Era: 20th-Century Contemporary
American composer Mary Leaf, captures wide-open landscapes and heartfelt imagination in this lyrical modern piece. Prairie Fantasy evokes sweeping winds and gentle rhythms that reflect the soul of the American Midwest. Its storytelling feel and graceful melodic lines paint a picture of open skies and gentle winds. Contemporary classical music often blends tradition with imagination, which invite the listener to reflect in serenity. Grace expresses this piece with warmth and grace, letting the melody unfold like a story across the plains.
Prairie Fantasy
Composer: Sondra Corbett-Wood | Era: Late 20th-Century Contemporary Worship
A modern worship classic by Sondra Corbett-Wood, I Worship You, Almighty God expresses awe and reverence. Emerging during the modern worship movement, this simple yet powerful piece expresses simplicity and adoration. It has found its way into sacred piano literature as a quiet moment of reflection and praise, becoming a favorite for its devotional clarity. Contemporary worship music favors singable melodies and heartfelt lyrics perfectly encapsulated in this beautiful piece. Grace’s expressive interpretation brings a quiet depth to this church favorite, making it both meditative and moving.
I Worship You, Almighty God
Composer: Richard Willis, Hymn Composer | Era: 19th-Century Composer: Frédéric Chopin | Era: Romantic
This pairing unites Richard Willis’s beloved Christmas hymn with Chopin’s exquisite Nocturne in E-flat Major, a perfect marriage of sacred melody and Romantic expression, which creates a unique and prayerful fusion. The Nocturne, composed by a young Chopin, is one of the most beloved pieces of all time. It embodies the Romantic era’s emphasis on intimacy and poetic emotion. When blended with Willis’ Christmas hymn, the result is a reflective and reverent musical moment. Grace’s arrangement weaves both works seamlessly, offering a prayerful interpretation with poetic nuance.
It Came Upon a Midnight Clear
“It is good to give thanks to the Lord, to sing praises to Your name, O Most High.” —Psalm 92:1 (ESV)